ARTS & ENTERTAINMENT
To close out the exhibition “The Painted Word: Text, Gesture, and Expression in Contemporary Art,” Bronx-based artist The Royal Kingbee spoke at the Lehman College Art Gallery about his artistic journey and connection to the Bronx through his Rotunda mural, which anchored the exhibition.
The atmosphere in the Lovinger Theatre was electric on March 31 as Lehman College gave a massive welcome to one of its most successful alumni, the Bronx-born and -based Dominican comedian and media powerhouse, the one and only Kid Mero. Taking place in the Speech and Theatre Building, the event was way more than just a celebrity appearance; it was a homecoming for a Lehman graduate who has reached the levels of the New York Times best-seller list and the NAACP Image Awards.
To close out the exhibition “The Painted Word: Text, Gesture, and Expression in Contemporary Art,” Bronx-based artist The Royal Kingbee spoke at the Lehman College Art Gallery about his artistic journey and connection to the Bronx through his Rotunda mural, which anchored the exhibition.
On March 17, as part of Lehman College’s Queer Theater and Performance Speaker Series, Hana van der Kolk shared their work as a queer dancer, performance artist, and educator, focusing on community building, embodiment, and ritual. The exhibition and ensuing discussion emphasized both the artist’s creative thought process and performance as a tool to connect and heal.
“The Painted Word: Text, Gesture, and Expression in Contemporary Art” opened on February 11 as the newest exhibition in the Lehman Art Gallery, exploring the deconstruction of language through diverse art forms and inspiring the community with artwork from both famous and emerging artists.
On Tuesday, Oct. 21, 2025, Hostos Community College in the Bronx screened the Sundance Award-winning film The Infiltrators and featured a discussion with Marco Saavedra, the man centered in the film.
Walking into the Smart Cities exhibit felt like stepping into a sensory vortex, an electrifying collision of light, sound and digital architecture that left me both overwhelmed and intrigued. Initially, the idea of AI-enhanced art made me uneasy: Was this the beginning of art’s dehumanization?
Through careful sound design, experimental media and live performance, Lehman students’ production of Woven: Discarded and Reborn combined storytelling and technology to create an immersive experience that explored themes of internal struggle and personal transformation at the Studio Theatre on May 15, 2026.