In “The Chilling Adventures of Sabrina,” Poor Writing Tarnishes a Captivating Plot
By Teresa Fanzo
On October 26, 2018 Netflix introduced a new original series, “The Chilling Adventures of Sabrina”. The show has received an 82% from Rotten Tomatoes, a website that averages critical ratings. Some viewers, however, felt this high score was undeserved, largely because the first two seasons feel like different entities. Season 1 was very good in comparison to Season 2: the plot was not all over the place and people enjoyed watching it and were excited for more. Sadly, season 2 is a let-down. The show has interesting plot lines, but this is lost on audiences because of the poor dialogue and in some cases bad acting.
Dramatic scenes that should be moving are often perceived as cringey because of corny delivery. The show has fallen victim to the constant use of full names as a tool to express importance; however, this is done so often throughout the show that it has lost its power and effectiveness. This overuse extends to two episode titles: “The Passion of Sabrina Spellman” and “The Miracles of Sabrina Spellman”. This could have been very clever, but the two episodes are not a part 1 and part 2, just random episodes unrelated to one another. This ultimately takes away from the scene as the overuse of full names is downright annoying.
In a dramatic scene, Sabrina finds out that she is the daughter of Satan. This was a shocking revelation that could have been a very emotional moment. However, when Lucifer tells her ,“You will blow the horns of Gabriel for me...You will wear the crown, you will sit on the throne...”, she responds, “Sorry, but I have school.” The quirky line does not land well and robs audiences of that intense reaction. It seemed eerily similar to Peter Parker and Tony Stark’s interaction in “Captain America: Civil War”, when Tony asks Peter to go to Germany with the Avengers and Peter responds, “I can’t go to Germany, I have homework!” There, it works because the scene was comedic and silly one liners are expected from those characters. When Sabrina responded that way, it did not seem like her: she has never made school a big priority and is not a very funny character.
Madison Morales, a sophomore studying Social Work, said, “Lucifer starts laughing and I did too, but rather than laughing with the character as the showrunner’s intended, I laughed at the absurdity of the statement.”
Overall, as a follow up to the first season which was beloved, the second season feels very disconnected. It relies on shock value with many scenes that seem to be filler for the one event they were leading to, and whole episodes that feel like the finale because of how dramatic and “twisty” they are. While it had the potential to be great and continue in the same fashion as season one, season 2 lacks cohesion, which results in a messy plot and an unsatisfying viewing experience.
Cancellation of ‘One Day at a Time’ Cuts Scarce Airtime for Taboo Topics
By Teresa Fanzo
Netflix announced the cancellation of “One Day at a Time” on March 12th. Photo courtesy of Wikipedia.
“One Day at a Time,” a Netflix original series that began its run in Jan. 2017, highlights the struggles of an underrepresented community. In advocating for equality by addressing serious concerns in today’s political climate, it broaches controversial topics like mental health, LGBTQ+ rights, Veterans’ rights, environmental concerns, racism, sexism, addiction and more. After airing for three seasons, these subjects combined with the show’s low ratings have resulted in its cancellation.
The show’s namesake, Norman Lear’s 1975 “One Day at a Time,” served as the inspiration for its plot. It follows the lives of Penelope Alvarez, portrayed by Justina Machado; her two children Alex (Marcel Ruiz) and Elena (Isabella Gomez); and their grandmother Lydia, played by Rita Moreno. The landlord of their apartment complex is a supporting character and often provides comedic relief. Further humorous charm comes from many jokes and the goofy character, Schneider.
By documenting the hardships that the Cuban-American family faces and how they overcome them together, “One Day at a Time” caters to an underrepresented audience. There are few other shows that convey concerns about these serious issues, which means it will be especially missed by its fans.
“I like that the show brings up taboo topics, but makes them relatable and sometimes funny because it makes it easier to talk about them,” said freshman and Macaulay Honors biology major, Samantha DiDonato.
In one episode, Alex goes on a date with a girl and posts inappropriate photos to his fake Instagram, also known as Finsta. Penelope, who is constantly working to provide her children with good life lessons, is outraged by the content of the photos. Subsequently, the family confronts Alex when he returns home. At first, he does not see that what he has done is wrong. Lydia, whom they refer to as Abuelita, plays devil’s advocate by maintaining that Alex has done no wrong and that “boys will be boys.”
“I like that the show brings up taboo topics, but makes them relatable and sometimes funny.”
- Samantha DiDonato, a Macaulay Honors freshman
In an emotionally charged scene, his older sister Elena shares the story of when she had to run home with her significant or “sydnificant” other because they were being stalked. The mother then admits that she too had been in an uncomfortable situation in a work environment. It is then that Alex understands his wrongdoings and apologizes.
Netflix tweeted on Mar. 12, 2019, “We’ve made the very difficult decision not to renew ‘One Day at a Time’ for a fourth season … In the end simply not enough people watched to justify another season.”
Lehman Community Mourns the Loss of New York Native Stan Lee
By Teresa Fanzo
Stan Lee at Phoenix Comicon, pictured in 2011. Photo courtesy of Flickr.
“I will miss seeing his cameos in every Marvel movie,” said Peter Watson, a Lehman freshman.
Stan Lee, the comic book writer known for the creation of many Marvel characters such as Spider-Man and the Hulk, died at the age of 95 on November 12, 2018. His death came as a shock to the comic world and the pop culture industry.
Born Stanley Martin Lieber in Manhattan, Lee moved to the Bronx when he was a teenager. Growing up he was inspired by books and movies and admired heroic figures like Robin Hood. Stan Lee went to Clinton High School, less than a mile away from Lehman College.
According to biography.com, Lee became an assistant in the Timely Comic division of Pulp Magazine, an inexpensive nonfiction magazine, in 1939. By the 1960s, Timely evolved into Marvel Comics when the company launched the Fantastic Four. He made his debut in May of 1941 with writing filler, plots that do not actually progress the story, for “Captain America Foils the Traitor’s Revenge.” He used a pen name, Stan Lee, which he would later adopt as his legal name.
By the end of the 1950s, he considered leaving his job. He was dissatisfied and he was not given the opportunity to write the stories he wanted. During this time, Lee was on the verge of quitting, but with his wife’s advice, he began writing the kind of stories he enjoyed.
“I mourn Stan not just as an innovator and storyteller but as a New Yorker and a Bronxite.”
- Lehman Senior and film and television studies major Juan Vasquez
The DC comics editor, Julius Schwartz, first introduced the public to the concept of the super-team with the Justice League of America. To combat this, Lee was tasked with the assignment to create their company’s own super-team.
Lee and his partner, Jack Kirby, created the Hulk, Thor, Iron Man, Doctor Strange, and arguably Marvel’s most successful character, Spider-Man. These characters were grouped into Marvel’s super-team, The Avengers.
Stan Lee created a world of relatable characters and intriguing storylines. In 2008, the comic studio ventured into the film industry, and since 2008, Lee has had a cameo feature in every single Marvel film.
Lee was an icon who revolutionized the comic industry and inspired many Lehman students. Junior and film and television studies major Julia Brennan said, “I grew up reading Marvel comics. Spider-Man is the first movie I remember seeing in theaters as a kid, so I hold a great sense of gratitude towards Stan Lee.”
Senior and Lehman film and television studies major Juan Vasquez said, “The sorrow that was his passing transcended the comics world. I mourn Stan not just as an innovator and storyteller but as a New Yorker and a Bronxite.”
Contemporary Art Expresses Fantastical Reality
By Teresa Fanzo
Peter Hamlin’s “Living Matrix Palace.” Photo by Teresa Fanzo.
A new exhibit at Lehman College Art Gallery, Castles in the Sky: Fantasy Architecture in Contemporary Art, features architecture with a twist, conjuring an imaginative reality.
The show, which opened on October 13, 2018, highlights the work of artists from different backgrounds and aesthetics. Lehman senior Eric Ramirez, a graphic design major, observed, “The artists are creating works that push the boundaries of architecture in ways that reflect their individual stories and life experiences”.
Some artists chose to go to extreme lengths by making enormous sculptures while others created simple paintings drenched with symbolism. Robert Hite’s “River Tower, 2007” is an example of one these huge sculptures. The impossible-seeming sculpture droops at the top, almost like a dying flower, representing the merging of fantasy and reality by standing tall despite its sad droopy quality.
Gustovo Acosta’s “Eclipse.” Photo by Teresa Fanzo.
Robert Hite’s “River Tower.” Photo courtesy of Marie-Claire Milius.
Julie Langsam expresses this idea more directly in her painting, “Gropius Landscape (Master’s House Kandinsky / Klee), 2014,” which shows a modern house with a cloudy sky. The bottom half of the painting is abstract with three big blocks, each containing different patterns made up of smaller blocks. The colors in the bottom half are similar to the ones in the top, a movement which represents reality shifting into the abstract.
Laurent Chéhère’s painting “Cabaret, 2017” is smaller, at 90 x 90 cm. The painting shows a floating house with an elephant hanging at the bottom. The artist brings her own twist by adding things to fit the theme of a carnival, such as a doll face and a lollipop as well as the elephant, likewise showing the merging of reality and fantasy.
The strange elements are what seem unreal here, the doll face especially, all turning out to be real things. The fantasy element comes with floating sky. This modestly sized painting also shows that within the exhibition space, not one size or type of piece overpowers another.
All the pieces in the gallery use architecture to represent the idea of the convergence of fantasy and reality, while fostering an atmosphere of wonder. The artists featured in the exhibit created pieces that portrayed the unimaginable, impractical, and inspiring designs for architecture that tests their own boundaries and reality itself in ways that are almost shocking.
Lehman senior and art major Jadie Meprivert said, “Each piece is able to shine.”